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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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西雅尔多还表示，匈塞双方签署了关于核能合作以及匈牙利支持塞尔维亚加入欧盟的协议。（央视新闻）
（一）违反国家规定，未经注册登记，以社会团体、基金会、社会服务机构等社会组织名义进行活动，被取缔后，仍进行活动的；